Extra Ordinary is a story about a plain bike that accidentally changed everything, i.e. opened up a whole new world for Juanita, cruising through old Winnipeg neighbourhoods on a new-old bike, feeling like a kid at 55, seeing her familiar surroundings with new eyes. This show is about doing new things that are old, enjoying ordinary adventures, and it is about practicing how to get out of the house to breathe the air and look at the sky every day, appreciating a regular job and ordinary days where ordinary things happen.

Extra Ordinary is also about figuring out how to become visible while struggling with apocalyptic levels of anxiety because staying invisible feels so much safer. What surrounds you on these walls is her daily anchoring exercise, one manifestation of learning how to fight addiction and achieve balance, i.e to become ordinary. This is a quest for ordinary, to have as much ordinary as possible, to become extra ordinary. This is about practicing gratitude and juggling more of everything with less energy while the clock ticks faster into forever. This art is about THIS moment, right NOW, and it is about sailing on a bike (a.k.a. lifeboat) close to other people, making connections to make the journey easier, shedding unnecessary baggage to prepare for the home stretch.

The “home stretch” in this case is in Winnipeg, which is located within Treaty No. 1 Territory, the traditional lands of the Anishinabe (Ojibway), Ininew (Cree), Anisininew (Oji-Cree), Dene, and Dakota, and it is the birthplace and National Homeland of the Red River Métis Nation. Awareness of other peoples’ historic and ongoing relationships to this land is part of cultivating a broader and more nuanced experience of place, learning how to see what we haven’t seen before from someone else’s perspective.